The essential Shania Twain playlist

Co-written by Twain and her ex-husband Mutt Lange, "Man! I Feel Like A Woman" is emblematic of '90s country's girl power phase. It's all about empowering women, and its endlessly infectious melody propelled the song to the top ten in 1999. 

This ridiculously catchy song about catching a cheating lover was a breakout success for Twain in 1995, on her breakout album "The Woman In Me." Even though it wasn't a top-ten hit, the song remains beloved among Twain's devoted fans. 

Also included on her 1995 breakout album, "Any Man of Mine" is both a strong woman's manifesto and Shania Twain's most iconic track. It cemented her transition from a Canadian artist to a bonafide Nashville success and earned Twain multiple Grammy Award nominations. 

Brad Pitt, rocket scientists, and guys with fancy cars just can't catch Shania's eye in this 1998 smash hit. It was a crossover success, fueled by the song's tongue-in-cheek lyrics and Twain's flirty delivery, across the globe. 

Both a pop and country hit in 1998, "You're Still The One" has sold more than 2 million copies in the United States, earning it a double-platinum certification from the Recording Industry Academy of America. 

Not to be confused with the Christina Aguilera track of the same name, "Come On Over" was the title track of Twain's 1997 album. It earned Twain a Grammy Award the following year, and remains an empowering anthem for anyone who needs to find a little balance in their lives. 

Critics panned this 1997 song for its "juvenile" lyrics, but that didn't stop Shania Twain from turning it into a top-ten country hit — and a minor crossover success. 

Nearly two decades after its release, this stunning love ballad remains a staple at weddings across the country. Two versions of the song were recorded, including a duet with singer Bryan White, both of which were commercial and critical successes. 

The title track of Twain's 1995 album. "The Woman In Me" is a strong introduction to both her musical aesthetic and her silky, powerhouse vocals. 

A hit for Twain in both the United States and her home country of Canada, "No One Needs To Know" really exemplifies the fun, upbeat tracks that made her a superstar in the 1990s. It's catchy, fun to sing along to, and totally relatable for anyone who's ever felt a little silly while falling in love. 

Thanks to its sassy lyrics and upbeat melody, "If You're Not In It For Love, I'm Outta Here!" has proven a popular song for Twain to perform at live shows, including her Las Vegas residency at Planet Hollywood. 

By 2002, Shania Twain was a major crossover success, promoting songs like "Up!" to both pop and country radio. It wasn't a huge success on the charts but still is totally in keeping with Twain's infectiously positive vibe. 

Snarky and definitely realistic for anyone who's ever had a partner that didn't quite pull their weight, "Honey I'm Home" is an anthem for women looking to take back their relaxation. It clearly resonated with fans, soaring to #1 in both the United States and Canada. 

In 2020, Twain lent her vocals to newcomer Kelsea Ballerini's self-titled album with a remix of "Hole in the Bottle," a perfect breakup anthem that's all about finding heartbreak solace in a bottle of wine. 

Released in 2002, "I'm Gonna Getcha Good" continued the trend of upbeat, infectiously catchy songs for Twain. It was also yet another crossover success, peaking at #31 on the all-genre Billboard 100, and remains one of Twain's biggest-selling tracks worldwide. 

A popular fixture in Twain's live shows — some fans have even been lucky enough to hear her perform "Love Gets Me Every Time" in a stripped-down, acoustic set — this song was a #1 hit after its release in 1997. 

Included on her 1995 album "The Woman In Me," "God Bless The Child" is deeply personal for Twain, inspired by a prayer she used to say after the deaths of her parents, and though it wasn't a major commercial success, it remains one of her most compelling tracks. 

The fifth single from her 1995 breakout, "You Win My Love" is one of the few Shania Twain hits that she did not co-write. A hit on the country charts written by her then-husband Mutt Lange, the song was given a pop vibe for its international release.